Digital Processes

In this project I feel my digital techniques have developed, which has been helped by having a bigger body of traditional processes, having the large drawings with paintings and ink markings made the digital process a lot easier. By scanning in bigger file types it allow me to ensure a higher quality which will be useful when I start to use my work in a professional way. 

Sofa Concept

By learning how to use displacement maps it allowed me to showcase my work in a more realistic way, by applying my prints this way I can see how prints may or may not work for their intended purpose. In the concept above it shows a good indication of what it may look like but it still needs work, I need to focus on the finishing aspects such as edges and shading. In Unit X I will need to ensure my work is to a professional standard, even with concepts. 

Colour Scheme 2 Cushion Concept

In Unit X I think I need to experiment more with materials, in Photoshop it's not entirely possible to get a real feel for how the pattern will transfer onto different fabrics. Compared to the sofa concept using the displacement map this image isn't as clean cut. You can see where the image ends and it doesn't have the realistic effect, this is where my digital processes need some work when considering professional aspects. If I want to continue with producing prints for interiors in particular cushions I need to find a process that will allow me to do so and create concepts that are realistic for my degree show and further for professional use.  

Drawing Ink Processes

The idea for this work was to focus on creating textures and markings, not necessarily final pieces but designs that I could take into Photoshop and make prints from. By using various techniques with brushes and plastic syringes I have made a variety of marks with different colours. With these prints, I can digitally place them onto various platforms such as sofas, wallpaper and soft furnishing designs. Throughout I want them to stay with the idea in mind that they are for interiors. Reflecting on my work I need to focus on my colour themes more and ensure that I keep to the 6 colour schemes I am aiming for. I need to keep in mind that I can use these processes and techniques for future projects, by using the syringes it gives unique marks using both paint and ink.

By using the drawing ink processes I feel it has made a huge difference to my practice and how I think as a print designer. I already had colour palettes in place but by experimenting with techniques I found a new colour palette than ended up being my most inspiring at the end of the project. This ink process also made the digial aspect a lot easier, I had a large body of work of 70 A1 pieces of mark marking that aren't special individually but when put together with digital techniques turn into something quite special. 

Colour Scheme 2



Timorous Beasties Sofa

Initially when I started the project I went for very subtle colours with a mix of dark greys, teals and purples. None of my colour schemes had a lot of colour, which was something I didn't do intentionally, as I enjoy working with colour. After seeing the image below of a Timorous Beasties sofa and deciding to do some work with paint and ink to add more texture, I discovered a new colour scheme which inspired me more than the others I had previously. This made me realise I was playing it too safe with my previous colour schemes and not creating work I truly wanted to create or work that would reflect my practice after university. I regret not being more adventurous from the start as it would of been interesting to see where my work would of progressed to.

I think this print shows how my work has developed and I've understood the importance of having a good body of work, by having a good range of ink markings I could apply them into Photoshop and make intricate looking patterns with simple methods. The idea behind my project was to create patterns that looked intricate (patterns within patterns) that had texture with digital techniques. I think this pattern is a good product of what I wanted to achieve. I am excited to take this print through to Unit X and potentially see it on a product. When you compare some of my earlier prints you can see that my work has progressed immensely and now I'm starting to see some work I would be happy with in a professional setting. 

Final Print

Motif Development

 As I wanted to create patterns that looked intricate without the long processes that they involve, I decided to play with them in Photoshop and Illustrator to save time. The pro's of doing this is that I can easily change colours between colour schemes and different colours within the same colour scheme. As I enjoyed the traditional processes more in this unit and focused heavily on my drawings it made the digital side a lot easier. Also, with what I've learnt throughout previous projects I know what type of drawings work best in Photoshop and Illustrator so when I'm doing motifs I can imagine how they're going to work digitally. 

With this pattern I regret not making the quality slightly better, on the computer screen it looked okay but when I went to print it out it wasn't the best resolution it could be. This is a shame because the pattern is the final stage and to realise this at the last minute makes all the work before it useless as well. With Unit X and future projects I need to ensure I'm always working at a good quality resolution to stop this happening.  In Unit X I really want to get some sampling done as I haven't done any and I need to ensure my work is top quality before doing any type of fabric printing.

Material Investigation

From the colour schemes I have chosen they are full of bright colours which leads my audience to be a higher market, when looking at the consumer the average person may not fill their home with such unique colours. This colour palette gives important consideration to the materials that may be used, with potential in Unit X to develop my prints onto fabric.

Looking into materials has been slightly difficult due to time scales, material investigation is something that is usually far down on priorities in my practice which is something I need to work on in Unit X and after university as it can change the colour and value of any of my designs.

The materials I imagine my patterns on for cushions, are luxurious such as velvet or silk. As I want the cushions to be for a higher market, I want to add tassels and fringing as it just adds more texture. When discussing the idea of tassels it really me a vision of what my work could potentially look like, for my degree show I want to explore this further because it could be a potential career path.